Perhaps this should be placed in a more global context. By 1000 BC, one
of the distinctions between the native North American civilisations (which
migrated from Asian lands about 15,000 years ago) and certain Eurasian and
African ones was that the woodland and plains "Indians" did not
use metal to fashion tools. Farther south, certain American peoples (the
Aztecs) did, but other developments, such as the Old World's extensive use
of alphabetic written language and specific technologies (the wheel), also
defined the differences between the American and Eurasian cultures. However,
in viewing objects that pre-date the bronze-copper age, we're reminded of
what these societies had in common --long ago. Prehistory was supplanted
by "history" only when written language, however abstract, came
into common use as a record of events and ideas.
Back in Sicily, there were eastern Mediterranean influences as the Elymians and then Phoenicians
and Greeks colonised the island. In time, the use
of stones and bones as the primary elements of jewelry gave way to bronze,
silver and gold, with rubies, emeralds and ivory as embellishments. Glass
was also used. Not surprisingly, much of the Phoenician work bears the mark
of Egyptian influences.
We cannot know with certainty precisely when man first fashioned necklaces and other decorative jewelry, but estimates (based on actual archeological evidence) place this development at an early date indeed, long before mankind's arrival in Sicily.
In the earliest historical period, a distinctly "Sicilian" style is difficult to discern, the ancient and medieval history of Sicily being that of a succession of conquerors. Clearly, fashion trends existed then as now, though it was a slower process.
Pulcherrima Res is an exhibit of some of these objects at the Salinas
Archeological Museum (Piazza Olivella, Palermo) through April 2006. The
display includes neolithic, Elymian, Phoenician, Greek, Roman and Byzantine
pieces found in Sicily. Some are simple, others are mythological and a few
are Christian. All are beautiful.
About the Author: Antonella Gallo, who teaches art in Rome, has written numerous articles on arts and artists for Best of Sicily.