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By some accounts, he was born in Athens. According to others, he was a
native of nearby Eleusis, where his father, Euphorion, was probably born. If little is known of his early life,
Aeschylus certainly left us a distinguished body of work created in his middle age spent in Greece and also here in
Sicily. Here he lived in Syracuse,
the only city of the Mediterranean world to rival Athens during his lifetime. Born around 525 BC, the "Father
of Greek Tragedy" fought the Persians at Marathon and again at
Artemisium, and it is clear that the memory of these battles influenced his life and work. A friend of Sophocles and
mentor of the poet Pindar, Aeschylus was an innovator. It was in his productions that the central role of the chorus
became subordinate to that of the actors, and it was Aeschylus who made the part of a second actor almost as important
as that of the protagonist. He also made sets and costumes key elements in the presentation of drama. These developments
may seem obscure - even mundane - in view of what was to come, but in the Mediterranean world of 500 BC they were
revolutionary. And they took place in Sicily, where you can visit the ancient theatre where the works of Aeschylus were
performed at Syracuse (Siracusa), one of the most important cities of the Greek world. Aeschylus passed at least two
extended stays in Sicily, a land he loved.
Tragically, not all of Aeschylus' tragedies have survived. The earliest one known to us is "Persians,"
first performed in Syracuse at the request of its ruler, Hieron I. This was followed, in 475 BC, by "Women of
Etna," in honour of the refoundation of Catania. Aeschylus probably acted in some of his own plays, not an uncommon
practice for writers in those days. In effect, people like Aeschylus were writer-director-actors, multi-talented in much
the same manner as many of today's rap singers, who write, choreograph and perform. The Syracusan amphitheatre was a
magnificent setting, and some of Aeschylus' plays are still perfortmed there each Spring and Summer. The largest Greek
theatre anywhere constructed entirely of stone, it was then somewhat larger than the structure standing today.
Of the Oedipus trilogy only "Seven Against Thebes" survives, but it is an inspired - and
inspiring - work. Like the Orestia trilogy, it is a favourite for performances at Syracuse and Segesta today.
(Yes, each Summer the original Greek tragedies are performed in Syracuse's ancient amphitheatre, and you don't have to
be a scholar of Greek classics to enjoy them.) Written around 458 BC, Orestia includes "Agamemnon,"
(known by its original title), "Choephoroi" (The Libation Bearers) and "Eumenides" (The Furies).
In the popular mind, "Prometheus Bound" may be his best remembered work. Percy Bysshe Shelley and Eugene
O'Neill are just two modern writers influenced by Aeschylus' timeless dramas. He may not have created the artform, but
Aeschylus certainly glorified it. In his hands, popular drama became exciting entertainment: a living art.
Following Aeschylus' death, a "tyrant" (ruler) of Syracuse revered the dramatist's desk as a sacred object,
almost a relic to be venerated.
Aeschylus died in the Sicilian city of Gela around 455 BC following a career as one of the greatest dramatists of his
age or any other.
About the Author: Palermo native Vincenzo Salerno has written biographies of several famous Sicilians, including Frederick II and Giuseppe di Lampedusa.